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Silver Screen Standards: Bombshell (1933)

Silverscreen standards: bomb (1933) With her locks tousled, Lola wakes up to another day of chaos and early-morning studio calls. played differently bomb (1933) would be a tragic drama about the relentless pressure and manipulation faced by a young actress in 1930s Hollywood, and certainly that was a reality many stars, including Jean Harlow, knew all too...

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Monsters and Matinees: Exploring the cinematic roads to ‘The Lost World’

Treffen Sie Professor George Edward Challenger, einen klugen und schroffen Mann mit einem abenteuerlichen Geist, aber unmöglichem Verhalten. Er macht seinem Namen alle Ehre, indem er eine Herausforderung für alle ist, denen er begegnet, während er gleichzeitig Kollegen und Feinde herausfordert. Er ist ein kräftiger Charakter, der eine „voll aufgeladene Batterie voller Kraft und Vitalität“ ist, wie...

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Noir Nook: Femme Entrances – Part 2

Noir Nook: Femme Entrances - Part 2 Last month I offered four women who have given us some of the best performances in film noir: Cora Smith (Lana Turner) in When the postman rings twice (1946), Phyllis Dietrichson (Barbara Stanwyck) in double compensation (1944), Kathie Moffat (Jane Greer) in From the past (1947) and Alice Reed (Joan...

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